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8 January 1836 – 25 June 1912. Most renowned painters.

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Gentile da Fabriano
St Nicholas and the Three Gold Balls

ID: 33341

Gentile da Fabriano St Nicholas and the Three Gold Balls
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Gentile da Fabriano St Nicholas and the Three Gold Balls


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Gentile da Fabriano

Fabriano ca 1370-Rome 1427 Italian painter, one of the outstanding exponents of the elegant international Gothic style. In 1409 he worked in the Doge's Palace, Venice, painting historical frescoes that subsequently perished. In 1422 he was in Florence where he created his most celebrated painting, the resplendent Strozzi altarpiece (Uffizi). Gentile painted in the spirit and the manner of the older school, with glowing color and lavish use of gilt, thereby achieving a jewellike, courtly style. By 1425 he had responded to the new Florentine realism. His refined forms yielded to a sturdier rendering of figures in the Quaratesi altarpiece (panels are now in the Uffizi; Vatican; National Gall., London; and National Gall. of Art, Washington, D.C.). From 1425 until his death he worked in Siena, Orvieto, and Rome. Gentile died in Rome before the completion of the frescoes of St. John the Baptist in the Lateran Basilica.  Related Paintings of Gentile da Fabriano :. | Quaratesi-Polyptychon, funf Predellatafeln mit Szenen aus dem Leben des Hl. Nikolaus von Bari | A Mriacle of St Nicholas (mk080 | The Adoration of the Magi | Adoration of the Magi and Other Scenes | The adoration of the Ways |
Related Artists:
Paul, John
English, active 1858-1886
LICINIO, Bernardino
Italian painter, Venetian school (b. ca. 1489, Poscante, d. ca. 1565, Venezia)
Jean Cotelle
Jean Cotelle Jean Cotelle, 'the younger', was a painter and engraver, born in Paris in 1645. He received his early instruction from his father, Jean Cotelle, and eventually visited Italy. On his return he devoted himself to his profession, producing historical paintings, miniatures, and occasionally etchings. His chef-d'oeuvre was the 'Marriage at Cana,' painted in 1681 for the cathedral of Notre-Dame. There are by him at Versailles several views in the gardens of that palace. He etched a plate representing 'Our Lord on the Mount of Olives,' and a series of seven scenes from the history of Venus. He was admitted into the Academy in 1672, and died at Villers-sur-Marne in 1708.






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